“A World Where Magic Is A Natural Force”

Call of the Conjurer is a story about a group of diverse soldiers brought together to be initiated into magical combat. What was your inspiration for blending military fiction with magic and the paranormal?

Call of the Conjurer was actually written as a prequel to a homemade, stop-motion film some friends and I made when we were kids, way back around 1996. It was called Bloodfest, and it was mainly about a squad of modelling clay soldiers tearing through a Lego city full of demons and zombies. It would have been on youtube, if that had existed back then. Ultimately Bloodfest was just a weird little black comedy with minimal plot, although the whole setting and the characters stayed with me for years afterwards. It was when I started toying about with programming and began work on a Bloodfest video game that I started to give it more thought. The original story was a bare concept, and we had made the Bloodfest team far from professional – quite “Monty Pythonesque” in their quirkiness, so I had to ask myself: ‘Why was it up to this squad of soldiers to save the whole world from monsters? What made them capable to do such a thing?’ That was when I had the idea of giving them all super powers and magic spells. I wanted to make an RPG game, and to let players customise the characters with a selection of spells and abilities. I also thought more about the backstory, how the team were in service to a shadowy “Hidden Government” who deployed them to fight off extreme threats. Working on the world building to explain how and why the soldiers had magic; why their abilities were so rare and why there were monsters in existence, eventually led me to write Call of the Conjurer when I wanted to try self-publishing books. I decided to start from the beginning, and work my way up to writing Bloodfest as a novel. I never quite finished that RPG game, but maybe I’ll get back to it sometime!

I felt that the military jargon and tactics used was well displayed. What research did you do for this novel to get it right?

The main thing I had to research was what happens during military training, and then work that around the setting I wanted to write about. The military is something that has always intrigued me. In England we celebrate the heroism of those who fought in wars, and conflict is a big part of our history, so it is the kind of thing I’ve read about a lot over the years. I’ve also known a few people who have served in the British Army and United States Army, and one thing I wanted to get across in Call of the Conjurer was how these soldiers are just ordinary people with the same flaws and ambitions we all have. Bearing in mind the rarity of the recruits in the story – their magical abilities which are desperately sought after – the characters in Call of the Conjurer are granted more privilege than most soldiers would be given in reality. This allowed me to occasionally put the cast in relaxed situations where they could be themselves, which was important for building them up as a team who trusted each other, and letting them grow as individuals.

There is magic used throughout the story. How do you keep magic believable in your story?

For most of the characters in the book, magic is a startling experience to begin with but it eventually becomes second nature. Some of them had prior experience with it, and I wanted a world where magic is a natural force but being able to utilise it is a rarity. It is a mysterious power tied to genetics and human history, and the Hidden Government has an entire Magical Science department dedicated to studying the phenomena. Over the years these scientists have tried to quantify, categorise and explain magic; successfully turning it into a weaponised asset for battle, but like all fields of science their understanding changes with new developments. In this way I can make magic a standard tool for the soldiers who use it every day, but leave many mysteries and revelations to be explored throughout the Bloodfest series in upcoming books.

There are a lot of diverse and interesting characters in this novel. What was your favorite character to write for and why?

I wanted a diverse but small cast, and as Call of the Conjurer was written as a prequel, there were a few key characters that had to be included. I liked having this chance to re-establish characters like Ace and Shimon, writing about them several years younger where they were different people to how I knew them. Captain Mason was instantly a good character to write about. My aim for him was not to be a typical drill-instructor people might expect. He’s much kinder to the recruits (sometimes chastised for being so), but still has to be tough at times. He’s a warrior, and a powerful spell caster. He’s fatherly and considerate, though in private he is a very solemn individual with a huge burden on his conscience. His inner turmoil is a big undercurrent throughout the story, and becomes more impactful to the whole plot towards the end. I enjoyed writing Gretel as well. I wasn’t sure where she was supposed to go at first; how she would develop, but I wanted to write a character who is initially perceived as a snarky, aloof ‘Goth’ but actually has a lot of personality and depth. She’s full of surprises, and I’ve had a lot of feedback from people saying she was their favourite part of the book.

What is the next book that you are working on and when will that be published?

The next book is Typhoon of Fire, which is finished and in the proof editing stage right now. The story follows the surviving recruits from Call of the Conjurer several years later as fully fledged soldiers now on active duty. They’re on a mission in an arid setting, living rough and facing greater threats in hostile conditions. “Hell on Earth” is a big theme of the story, and the whole book is a strange mix of Vietnam War films and Dante’s Inferno. It is definitely grimier and darker than Call of the Conjurer was, taking away the safety nets and really pushing the characters into some difficult situations while expanding on the whole Bloodfest universe even more.